FEATURED ARTICLES
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Seth Colter Walls
The New York Times
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Zachary Woolfe
The New York Times
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Josh Modney
New Music Box
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Seth Colter Walls
The New York Times
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Alex Ross
The New Yorker
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Zachary Woolfe
The New York Times
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Zachary Woolfe
The New York Times
PRESS ARCHIVE
VIBRANT GHOSTS: ANTHONY BRAXTON'S COMPOSITION 222, by Brin Solomon
San Francisco Classical Voice - Friday, February 22, 2019 4:00 AM
WET INK ENSEMBLE'S TAKE ON ANTHONY BRAXTON IN BROOKLYN, by Kurt Gottschalk
bachtrack - Friday, February 22, 2019 4:00 AM
WET INK 20: A CELEBRATION OF CREATIVITY AND COLLABORATION, by Natalie Calma
I CARE IF YOU LISTEN - Tuesday, December 25, 2018 4:00 AM
WET INK 20, MODERN CHAMBER ENSEMBLE OF THE PRESENT DAY, by Grego Applegate Edwards
Gapplegate Classical-Modern Music Review - Wednesday, November 14, 2018 4:00 AM
KATE SOPER'S IPSA DIXIT AT MILLER THEATRE COMPOSER PORTRAIT SERIES, by Tristan McKay
I CARE IF YOU LISTEN - Wednesday, November 7, 2018 4:00 AM
AMN REVIEWS: KATE SOPER/WET INK: IPSA DIXIT, by Daniel Barbiero
Avant Music News - Monday, October 22, 2018 4:00 AM
NEW RELEASES: CONTEMPORARY MUSIC (OCTOBER 2018), by The Journal of Music
The Journal of Music - Sunday, September 30, 2018 4:00 AM
GOINGS ABOUT TOWN: WET INK, by Steve Smith
The New Yorker - Sunday, September 16, 2018 4:00 AM
PSNY GREENROOM - JOSH MODNEY, by Ted Gordon
Project Schott New York - Sunday, May 15, 2016 4:00 AM
ON THE OUTSIDE LOOKING OUT, by George Grella
Music & Literature - Tuesday, April 26, 2016 4:00 AM
WET INK "HYDRA/CHILDREN OF FIRE", by Mike Telin
Cleveland Classical - Tuesday, February 9, 2016 4:00 AM
IN PERFORMANCE: WET INK'S KATE SOPER & ERIN LESSER, by Michael Cooper
The New York Times - Monday, December 8, 2014 4:00 AM
PRAISE FOR WET INK
"Dense, wild, yet artfully controlled...
- Zachary Woolfe, The New York Times
" ... the fantastic Wet Ink Ensemble combined striking stylistic and aesthetic assurance with technical perfection."
- Torsten Möller, Dissonanz (Switzerland)
"Comprehensively astounding .... a twenty-first century masterpiece .... a ninety-minute tour de force in which ideas assume sound and form."
- Alex Ross, The New Yorker [on Kate Soper's Ipsa Dixit, written for Wet Ink over 6 years of collaboration]
"...multitasking virtuosos."
Alex Ross, The New Yorker
"A brilliant, uncompromising collective of composers, interpreters, and improvisers"
- Steve Smith, The Log Journal
"This composers’ collective and performing ensemble has made a mark in a crowded New York scene with persuasive accounts of uncompromisingly original music by its members, and with its unflagging belief in the power of collaboration."
- Steve Smith, The New Yorker
"Sublimely exploratory..."
- Peter Margasak, The Chicago Reader
"Wet Ink’s repertoire includes music that they collectively develop, like a rock band...and the group is a leading interpreter of composers like Anthony Braxton and Christian Wolff...taken together, it all makes for a body of work drawing connections that might seem obvious, even commonplace, were it not for the reality that they have, in actual fact, been woefully under-explored"
- George Grella, Music & Literature